Like so many of her vehicles, Dead Tides didn’t know what to do with Kitaen but it didn’t know how to do anything else either, really, beyond limply execute direct-to-video formula with little energy and even less inspiration. That’s why Kitaen was eulogized as a legendary sex symbol and the girl in the Whitesnake videos more than as an actress in movies like Dead Tides. I also recently began a series chronicling the films of bad boy auteur Oliver Stone. This generous patron is now paying for me to watch and write about the cult animated show Batman Beyond and I also recently began even more screamingly essential deep dives into the complete filmographies of troubled video vixen Tawny Kitaen and troubled former Noxzema pitch-woman Rebecca Gayheart. I’m deep into a project on the films of the late, great, fervently mourned David Bowie and I have now watched and written about every movie Sam Peckinpah made over the course of his tumultuous, wildly melodramatic psychodrama of a life and career. Or you can be like three kind patrons and use this column to commission a series of pieces about a filmmaker or actor. The price goes down to seventy-five dollars for all subsequent choices. Weve got too much time and mobile data on our hands. It’s the career and site-sustaining column that gives YOU, the kindly, Christ-like, unbelievably sexy Nathan Rabin’s Happy Place patron, an opportunity to choose a movie that I must watch, and then write about, in exchange for a one-time, one hundred dollar pledge to the site’s Patreon account. Two comedians from Mobile, AL review Twitter accounts to make following a less dangerous business.
Welcome, friends, to the latest entry in Control Nathan Rabin 4.0.